THE PHENOMENOLOGY OF TRANSIENCE► k) NOVEMBER 2000► c) MARCH 2000► l) DECEMBER 2000► e) MAY 2000► d) APRIL 2000► f) JUNE 2000► g) JULY 2000► h) AUGUST 2000► i) SEPTEMBER 2000► j) OCTOBER 2000► a) JANUARY 2000► b) FEBRUARY 2000
CONCEPTS► JUST WAR► THE PHENOMENOLOGY OF TIME - THE HISTORY OF ISTRIA► ENERGETIC STRUCTURE OF OBJECTS► ENERGETIC STRUCTURE OF PARTICULAR SPACE TIME► RECYCLING HISTORY► POLITICAL DREAMS► REBIRTH OF VENUS► STRINGS AND MEMBRANES► THE LINE AS A STARTING POINT► THE PHENOMENOLOGY OF TIME - THE HISTORY OF HUMAN KIND, 1999► THE UNIQUE STRUCTURE OF RITUAL
PORTRAITS► PORTRAITS► THE PORTRAITS OF AMERICAN PRESIDENTS► THE PORTRAITS OF FIRST LADIES
As the result of my interest in cosmology and physics I created two art units that express my visual interpretation of strings, membranes and the quantum particle.
The universal geometrical form of the double scone reflects the vibration of strings as well as the quantum package of energy which is connected with other six equal double scones through it's tips, and forms the basic form; the group of double scones which fills the universe and vibrate in the infinity of Spacetime.
The work pieces Membranes reflect the infinite form which also represents the next phase of the binding of Strings (double scones and their affiliations) but, at the same time, he membranes grow and exist in three basic forms: surfaces (open form), surface that bends and closes only at certain points (half-closed form) and the bent or closed surface (closed form). The membranes 'float' in Spacetime in infinite changes and vibrations.